The character of history and place of the Korean-style house inherited spatially by composing the ‘garden’ of existing house for ‘garden’ of Jo Rin Hun. This garden functions as a spatial element that satisfies the right of sphere and ownership with the recognition that each of the household living in this house is the owner of each separate house. Many detached house composed vertically with outside-stair as a passage and the small outside space will be a ‘city windpipe’ that connects that city and architecture strongly.By incoming the neighbored landscape with the expended metal translucent board, the light, wind, sound through the small vertical courtyard surrounded by each houses are effective and forming introverted calm spatial environment. It is intended to function hiding neighborhood, filtering surrounding landscape, control of the light by me lid of the outer cover adjoins neighborhood with translucent skin.
Indistinct landscape of the village, clearly visible shape of the Korean-style house, the whole views of Seoul with Namsan tower and the festive night views were the landscape program of Jo Rin Hun. The city and architecture are endowed with strong mutual response and finally this mass become to carry the un-architectural property of matter of transparency introversion, translucence extroversion. It is intended to feel Jo Rin Hun, which is vertical and huge mass comparatively, as ‘un-architectural’ property of matter to harmonize with the horizontal stable landscape formed by the remaining Korean-style houses and to form a new city context that corresponds to the change. It lost by the shaded portion of road, right to enjoy sunshine, cultural property protection. By indoor planting to the remaining mass, It could be recognized as an ecological mass, as well as, the whole could recognized as if translucent/opaque un-architectural object are covered with expended metal and intended to grant a formable sensitivity that harmonized with the image of Korean style house to the structure of skin.
